In the middle of the 20th century there was still a fictitious division into classical music in the broadest sense, folk music, jazz, pop/rock, then these definitions vanished into thin air at the end of the last century, this also applied to the term improvisation. in the 70s and 80s there were already musical genres like sand on the beach, “electronica” became independent and could be defined as jazz-rock world music jungle groovy free music; or something similar. all of this multiplied through the burning glass of globalisation; the free music styles merged with other art genres (dance, poetry, performances, architecture, sculpture, painting, etc.) and every naming, every definition, every kind of classification failed miserably due to the complexity of the real distortions. WE SEARCHED FOR OUR LIMIT IN LIMITLESSNESS and we ‘tried’ to find a NAMING.

This “discovery” was also accompanied by fierce to typhoon-like discussions, especially with free jazz musicians and philosophers from the usa, australia, russia and europe. after several years of discussions and reflection, barry alschul said that FREE FORMS OF ARTS could no longer be compared to free jazz, because the particles that define the genre have multiplied, from a musical, social, spiritual and intellectual point of view.