Open dialogues
why have a conversation whose outcome is certain? Why talk about the same topics over and over again when the content is inexhaustible?
Why I want to do this project with Chanda
It is experience that has led me to approach free improvisation in its various forms more and more. On the one hand, it's about getting rid of the fear of selling yourself artistically on stage ...
The essence of holiness
Chanda Rules: For me the essence of holiness expressed is within improvisation.
Udo Preis MASTERMIND
Udo is not sitting, he is standing. You can stand by your opinion - but you can't sit by your opinion. Anyone who sits on a chair, left or right, is motionless. Udo stands by his opinion, but he is prepared to spend his whole life learning.
Igor Gross
Igor started playing with the main Ensembles for contemporary music, as Klangforum Wien, Ensemble Phase, Ensemble 20. Jahrhundert, Ensemble Platypus, and is founder memberof the Black Page Orchestra,… . In the last years he has continuously expanded his repertoire of sounds on the vibraphone and various percussive instruments, that he combines with different electronic devises.
Marton Palatinsky BUDAPEST
Márton Palatinszky is a scientist, working at the University of Vienna; and an underground musician. He plays the scenes in Budapest and Vienna especially with his bassclarinet.
Antonis Anissegos BERLIN THESSALONIKI
Anissegos works in several projects, including Amoebas, the trio IAMA, Succulent Trash, 3 Spirits and Lynx, ΣΩΜΑ, ddaA, KAYA, Card Castle and oneone. His compositions have been performed by Ensemble Modern, Ensemble Piandaemonium, Ensemble Mosaik, Ensemble Cornucopia, Ensemble DissonArt, Thessaloniki State Orchestra, Athens Colour Orchestra and Junge Philharmonie Thüringen, among others.
Heiligenkreuz
The LIMMITATIONES cultural association was founded in the Lafnitztal in 1991. The impetus for FREE FORMS OF ARTS continues to come from there. What happens in Heiligenkreuz? Individual concerts The matinee on the second Sunday in May. A festival, the CHILLI JAZZ CONGRESS. The Laboratories I and II