A musical “style”?
A musical "style" that increasingly stood out from all types of jazz, free jazz, new improvisation music, fluxus movement, soundpainting, became increasingly popular and evaporated into the art scene.
A musical "style" that increasingly stood out from all types of jazz, free jazz, new improvisation music, fluxus movement, soundpainting, became increasingly popular and evaporated into the art scene.
Every "act" by the artists of the free forms – every concert, dance, evening, reading – is a manifestation of creativity, artistic existence, comprehensive know-how and also of their philosophy of life.
We invite everyone to this "risky" procedure in which we develop free forms in order to liberate them in turn.
An open dialogue requires a holistic perception of others and of the space, mutual acceptance and tolerance both as artists and as human beings.
Our meetings, festivals, concerts, dance evening sessions challenge all participants to "take full risks".
The vitality of art arises from open and free dialogue, unconstrained communication and the resulting self-reflection; this leads to new flowing relationships, relations, communications that interact on the basis of good experiences/tradition.
Avant-garde, especially free, freely improvising, instant-composing music has never been commercial (and this also applies to other art genres, the visual arts, dance, etc.). the smaller number of paid concerts, the lower fees, i.e. the lack of financial means, make it more difficult for artists to be mobile, to break free from the gravity of everyday life.
In the middle of the 20th century there was still a fictitious division into classical music in the broadest sense, folk music, jazz, pop/rock, then these definitions vanished into thin air at the end of the last century, this also applied to the term improvisation.